MANNEQUINS
MOTHER NATURE
Overgrown, unpredictable, and endlessly healing.
Even in stillness, the piece feels alive — caught between decay and renewal.
MINDSCAPE
Mindscape visualizes mental space as a living environment. The body mutates under the pressure of thought, emotion, and instinct, forming a topography of the inner world. What was once contained inside becomes landscape — exposed, layered, and alive.
RECLAIMED BODY
Reclaimed Body captures the moment when nature retakes the artificial. Green growth surges through black stillness, transforming the figure into something both human and elemental — a quiet act of rebirth.
HEADSPACE
Headspace captures the colorful chaos of thought. Spray, drips, and symbols merge to form a raw visualization of what thinking feels like — restless, layered, and full of energy.
Playground captures the energy of free movement. The works combine graffiti, color, and quick marks to reflect the joy and chaos of creation without control.
SCULPTRAL PIECES
EMBER ROSES
Ember Roses captures the glow of something that’s burned but still alive. The blackened petals and red foundation suggest quiet heat — the last breath of fire preserved in form.
THE LABYRINTH MIND
Inside the skull, there are rooms we cannot escape. Spirals, mazes, and looping thoughts shape these figures from within. This series explores the inner architecture of thinking — confusion, introspection, and the struggle to translate internal worlds into words.
EMOTIVE WORLDS
THE KING OF THE UNIVERS
Each color carries its own energy. The King of the Universe reflects emotion through color and movement — a portrait of feeling rather than form.
MIDNIGHT CONVERSATION
It’s about everything you mean to say but never do, glowing quietly beneath the surface.
DARK
FALLING BUILDINGS
A depiction of buildings in freefall, where strength turns to dust. The piece reflects on loss, change, and the silence that follows destruction. It’s not just about falling, but about what remains standing afterward.
TRANSFERRED
Transferred reflects the feeling of being moved from place to place — never settled, always observed. The figure stands inside a pattern of repetition and control, surrounded by structures that blur together. It’s about displacement, routine, and the exhaustion of being processed instead of seen.
SILENT ECHOES
In Silent Echoes, the city seems to dissolve into memory. What remains are impressions — outlines of buildings, fragments of heat, and silence. The work speaks to loss and endurance, how presence lingers even after everything has fallen away.
UNQUIET MIND
In Unquiet Mind, the body becomes a container for multiple selves — each one screaming, watching, remembering. The surrounding color and texture evoke the pulse of thought, the static of emotion. It’s an image of survival inside noise — and the uneasy peace that comes after it.
DARK ANATOMY
Eyes multiply across distorted faces — symbols of self-awareness and fear of exposure. This series captures the unease of seeing too much, or being seen too deeply.
A gathering of distorted figures, each connected by invisible threads of thought and trauma. This series questions identity — are we individuals, or fragments of one vast consciousness?
ALIEN SPACE